Tennessee Williams' Play "A Reality and Illusion in Tennessee Wil Tennessee Williams' "A Stree The reception of the American Dream i A Characterization - Decline and Fall Essay on Literature into Film. Die Funktion der Maggie Pollitt in Te Das Motiv der Flucht in Tennessee Wil The "soft people" in Tennes Publish now - it's free.
Excerpt from 17 pages. Hence Warner Bros. One should expect that a play like A Streetcar Named Desire could easily be turned into a movie version. The play, which falls into the genre of heightened realism Costanzo Cahir 72 , bears many resemblances to certain movie features. This can possibly be attributed to the fact that Tennessee Williams had already been a signed film script writer for Metro-Goldwyn-Mayer in , four years prior to the first performance of Streetcar on Broadway.
Perhaps his experience in films was the reason that — as well as his other plays — Streetcar does not adher to conventional drama structure i. Moreover, the visual elements he uses, such as spot lights, projections and music are more typical of the film genre than of drama. It examines the differences between text and film, considering changes which were made for merely artistic respectively medium-typical reasons, as well as changes which were made due to censorship, and most importantly: which effects those changes had.
Jessica Tandy, though as an actress preferred by Kazan, was not considered to be commercial enough for ensuring profit of a major motion picture by the studio. Schickel Opening it up meant: Kazan wanted to make the play fit the visual medium of the motion picture, so at first he decided against producing simply a filmed theatre piece. After all, a movie — in contrast to a play — is not restricted to a single, fixed setting.
At the same time they wanted it dirty enough to pull people in. The whole business was rather an outrage. It was very clear where they went. The editor probably felt very bad. The major change comes in the scene of Stella returning to Hunter after their post-poker game fight, walking down a flight of iron stairs with what can now be seen as a pure and expressive carnality. And we should be grateful that this restored revival has given us a reason to rush out and experience its glories all over again.
All Sections. About Us. B2B Publishing. No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin. Correct standards of life, subject only to the requirements of drama and entertainment, shall be presented. Law, natural or human, shall not be ridiculed, nor shall sympathy be created for its violation. What the Hays Code also did was require filmmakers to come up with creative ways to bypass the censorship.
Directors and writers were forced to use ingenuity, metaphor, and subtext to say the things they wanted to say without being outright about them, leading to an emergence of hidden messages and clever film moments.
Not surprised, Williams and Kazan were concerned these changes would destroy the artistic integrity of the film.
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