Privacy Copyright. Skip to main content. Digital Commons IWU. I tried to be diplomatic, but it is not my strong suit. While I was sweating, a bird flew into the tent, and I hoped it would distract the audience, like a magic act. I believe that the sculptures should be returned, but I have no faith that this will happen. The interviewer then opened the session to questions from audience members, many of whom saw this as their cue to flee in order to get a spot in the queue for the next event.
I could not get out of Hay-on-Wye fast enough. I even forgot to pick up the case of wine I had agreed to accept in lieu of pounds sterling. Soon afterward, I received a scathing e-mail from a Greek who had been in the audience. It is a light-filled multilevel building, whose design permits a person on the top floor to view the Parthenon sculptures up close at the height they occupied on the original roofline, against the background of the Acropolis itself. The display leaves poignant blanks for the missing pieces.
Restitution is a complex process that requires collaboration, research, logistics, and resources. It is not always synonymous with decolonization, and it is not always the best solution. International protocols could establish basic principles, such as the importance of returning items plundered during episodes of acute violence; and of returning sacred objects that are part of living religious traditions, such as the Easter Island ancestor statues whose return from the British Museum was requested in by a delegation of Rapa Nui people.
Greece, foundation of Western civilization, member of the European Union, is one of us, not one of them. Sign up for our email newsletters! In Infinities, guest-edited by curator and art historian Nadia Kurd, artists and writers discuss the influence of Islamic visual cultures in Canadian contemporary art. In a psychological context, confabulation refers to obvious falsehoods invented by individuals to fill gaps in their memory.
From supporting artists who work with traditional media to those who base their practice in digital, crypto, VR art, or NFTs,. ART covers it all. We get addicted to things in ways that each have pros and cons.
In honor of its milestone anniversary, the Savannah, Georgia-based museum welcomes renowned international artists for a diverse program of exhibitions and events.
Athens, the wealthy and powerful democratic nation-state, was of course analogous in the story to the civilized Lapiths; any foes the city faced resembled the barbaric Centaurs, who, as the tale goes, attempted to rape the bride at a Lapith wedding feast, launching a battle between the two peoples. Should the British Museum, the current home of the sculptures, yield to Greek demands for their return? Though a temple, it was not strictly a religious site and was used as a treasury.
The building featured hundreds of sculptures by Phidias, one of the greatest artists of Ancient Greece, whose figures tell stories of gods, celebrations, and battles. Phidias installed finely carved sculptures on multiple levels of the building: the most fully modeled were on its pediment, while the 92 highly sculpted friezes known as the metopes, sat right below the roof. Like the Centauromachy, some of the stories carved into the marble are allegorical. The beauty and detail of the sculptures are truly awe-inspiring—every fold of every peplos, the draping, sleeveless tunic favored by women of ancient Greece, is included; not even fingernails are neglected on a frieze that was mounted 30 feet above eye level.
At the center of the temple stood a giant gold-plated statue of Athena herself, known as the Athena Parthenos. At some point, that sculpture disappeared from the temple and the historical record, its whereabouts unknown.
Over the millennia, the Parthenon has changed with times, states, and faiths. Around A. When a Venetian shell hit the temple in , during a war between the Turks and Venice, it became the temple we know now—a ruin.
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